In a significant moment for collectors and fans of crossover comics, Grant Morrison shares insights into their creative process for Batman/Deadpool, launched by DC Comics and illustrated by Dan Mora. This conversation highlights important narrative decisions that may influence collector interest in this title.
On their Substack, Grant Morrison expands on their decision to engage with Batman/Deadpool, collaborating with Dan Mora, the artist behind Morrison’s acclaimed work on Klaus. Morrison states, “I often decline projects, but upon receiving an offer from Marie Javins at DC, I felt a compelling connection to this crossover. Given Deadpool’s reputation for breaking the fourth wall and engaging with the audience directly, a light bulb went off — particularly regarding an unresolved plot line from 35 years ago! My interest was piqued!”
As previously noted by Bleeding Cool, this narrative serves as a homage to Animal Man #19, published in 1989, penned by Morrison and illustrated by Chas Truog. In this iconic issue, Buddy Baker (Animal Man) experiences a peyote-induced encounter with the comic’s readers, creating a surreal break from reality. This historical precedent sets the stage for an engaging dialogue in the contemporary project.
Morrison elaborates on the constraints that further enrich the creative process: “Certain conditions were in place, like it being essential for both Batman and Deadpool to feature prominently. The antagonist needed to originate from the Marvel universe, providing a natural slot for Cassandra Nova, who audiences recognized from her cinematic appearances, while Damian Wayne was a logical choice for the DC guest star, blurring the lines between both worlds.”
One pivotal moment recognized by Morrison occurs when Deadpool, in his trademark verbose style, initially receives no acknowledgment from Batman, only for Batman to quip, ‘I fought crime alongside a hyperactive kid for years. My arch-enemy is a murderous disfigured clown. Have you been talking this whole time?’ This exchange proved critical in solidifying Morrison’s commitment to the project.
Morrison also draws parallels to the historical Superman vs. The Amazing Spider-Man crossover from 1976, noting its impact on character presentation. “That crossover enforced certain restrictions, such as equal representation of characters on the cover and in dialogue. Bringing this concept to the current project, I ensured Batman and Deadpool share equivalent page time, further enriching the reader’s experience.” All of these elements coalesce into a narrative stew, incorporating influences ranging from classic animation styles to contemporary digital culture.
The project also hints at the revival of the Amalgam character Dark Claw, alongside subtle references that may raise eyebrows among various audiences — a reminder of the dynamic interplay between nostalgia and current pop culture.
In summary, Batman/Deadpool #1 features an array of celebrated creators: written by Morrison alongside notable names such as Scott Snyder, James Tynion IV, Joshua Williamson, Tom Taylor, Mariko Tamaki, and G. Willow Wilson, with art by Dan Mora, among others. This title promises a captivating crossover adventure that could have significant implications for collectors eager to connect with these legendary characters in a fresh context. Released on 11/19/2025 for a price of $7.99, it embodies the collaborative spirit that resonates with fans and collectors alike.
Based on reporting by https://www.facebook.com/richard.james.johnston. Read the full story at https://bleedingcool.com/comics/grant-morrison-talks-batman-deadpool-and-choices-they-made-spoilers/.