
The latest weekend box office results reveal significant trends impacting the toy and collectibles market. With its estimated $55 million domestic opening, Scary Movie not only reaffirms the staying power of legacy franchises but also highlights the potential for collectible toys and merchandise linked to such properties.
In second place, Masters of the Universe opened with $29.3 million, showcasing the continued relevance of classic toy lines in modern cinema. The nostalgia factor is evident, particularly as this franchise has roots dating back to the original animated series, positioning it well within the collectible space.
Following closely, A24’s horror film Backrooms grossed $25.9 million, while Focus Features’ Obsession trailed at $25.6 million. The performance of these films indicates a robust interest in horror-themed collectibles, which can spur demand for related products.
Directed by Michael Tiddes, Scary Movie marks the return of franchise stars Anna Faris and Regina Hall and critiques horror movie tropes and current events. This sixth installment, 17 years since the last, is reestablishing its cultural significance and opens avenues for collectible merchandise that could appeal especially to younger demographics—62% of ticket buyers were under 30, indicating a fresh interest in classic parody films.
Globally, Scary Movie amassed $105.5 million, with strong international numbers, further underscoring the importance of worldwide appeal for collectible strategies. Moreover, Masters of the Universe has crossed international earnings of $25 million, contributing to a total of $54 million globally. The film features a nostalgic lead character, Prince Adam/He-Man, and introduces other beloved characters, which may influence the resurgence of related toy sales.
In this context, Kevin Wilson, head of domestic theatrical distribution for Amazon MGM Studios, emphasizes the film’s potential, highlighting it as part of a strategic distribution approach aimed at sustaining engagement well beyond theatrical releases. This could indicate a future influx of merchandise aligned with film releases, strengthening connections between cinema and collector communities.
Meanwhile, horror films like Backrooms and Obsession are setting new box office records for their studios, signaling health in niche genres that collectors should explore. Backrooms has become A24’s highest-grossing title in just its second weekend, while Obsession has enjoyed impressive holdover strength, enhancing its domestic total to $152 million.
As the box office landscape evolves, resonant themes and classic characters are poised to drive merchandise sales, making it an opportune time for collectors and retailers alike to consider the implications of these cinematic trends.
Coming in fifth is Fathom Entertainment’s The Amazing Digital Circus: The Last Act, which earned $19.5 million at 2,200 locations, highlighting the allure of unique web series adaptations for collectors keen on digital and niche-themed merchandise. Other notable performances include The Mandalorian and Grogu at $10 million and Michael with approximately $7.7 million, which indicates a sustained interest in biographical and franchise films.
Based on reporting by Hollywood Reporter. Read the full story at https://www.hollywoodreporter.com/movies/movie-news/box-office-scary-movie-masters-universe-obsession-backrooms-1236615518/.



