Despite not having watched Dark City more than twice in the past, my recollection of its cinematic impact is vivid. My last viewing occurred over a decade ago, however, the film left a strong impression on me, particularly when I first experienced it at the tender age of 12. The stunning visuals enveloped me, and I recall feeling a blend of fascination and unease—likely reflective of my then-evolving tolerance for the horror genre. At that time, my appreciation for film noir was nascent, which means my current admiration for the film’s aesthetic sophistication is all the more profound. The movie resonates as a fusion of neo-noir with the surreal elements akin to Brazil, drawing comparable imagery that enhances its unique narrative.
On this viewing, I observed the Orwellian characteristics of the film’s antagonists, aptly named The Strangers, as they manipulate reality to suit their sinister objectives. Comparisons to The Matrix also emerged during my watch, as both films share thematic and structural similarities, even if my personal preference leans toward the latter. Nonetheless, Dark City stands on its own, showcasing substantial merits. The production design is nothing short of spectacular, with the majority of its practical effects enduring the test of time impressively. Some of the computer-generated effects, however, appear dated, often feeling superfluous—as if the creators felt compelled to incorporate modern techniques rather than necessitate their inclusion. The revelation of The Strangers’ appearance underneath their disguises detracts from the air of mystery that would have been better left to the viewer’s imagination. Moreover, Dark City‘s distinction as a mid-budget, original film is refreshing in an era where studios seldom invest in such projects.
All performances across the board are commendable. Rufus Sewell delivers a flawless American accent and exudes an allure reminiscent of a contemporary Peter Lorre, aligning perfectly with the film’s noir essence. William Hurt’s involvement lends considerable credibility to the film, with his performance feeling authentic rather than lackluster. Jennifer Connelly, undoubtedly one of the most beautiful actresses of her time, captivates in the monochrome palette, albeit her character is relegated to a conventional romantic subplot that somewhat undermines the gravity of the overarching narrative.
Revisiting the film through the Director’s Cut, widely recognized as the superior version, has been a worthwhile endeavor. Director Alex Proyas has yet to surpass the heights of this film, perhaps indicating a need for him to preserve his legacy here. Arrow Video has executed a masterful release, interspersing the film with rich special features, including an insightful audio commentary by none other than Roger Ebert, who was a vocal advocate of the movie. Ebert once remarked he regarded Dark City as superior to The Matrix, a provocative perspective that I now appreciate more than ever. Boutique labels like Arrow understand that physical media transcends mere presentation; they celebrate the film through extras and exquisite packaging. This treatment elevates the viewing experience, perfect for those who hold a deep appreciation for cinema. This edition comes highly recommended and is well worth the upgrade.
The limited edition set includes an impressive array of content:
2-DISC 4K ULTRA HD LIMITED EDITION CONTENTS
- Brand new 4K restoration from the original 35mm camera negatives approved by director of photography Dariusz Wolski
- 4K Ultra HD (2160p) Blu-ray presentations of both the Director’s Cut and Theatrical Cut of the film in Dolby Vision (HDR10 compatible)
- Original DTS-HD MA 5.1, stereo 2.0 and new Dolby Atmos audio options for both cuts of the film
- Optional English subtitles for the deaf and hard of hearing
- 60-page perfect bound collectors book featuring new writing by author Richard Kadrey, and film critics Sabina Stent, Virat Nehru, and Martyn Pedler
- Limited edition packaging featuring newly commissioned artwork by Doug John Miller
- Double-sided fold-out poster featuring original and newly commissioned artwork by Doug John Miller
- Three postcard-sized reproduction art cards
- Postcard from Shell Beach
- Dr. Schreber business card
DISC 1: DIRECTOR’S CUT
- Brand new audio commentary by director Alex Proyas
- Brand new audio commentary with Craig Anderson, Bruce Isaacs, and Herschel Isaacs, co-hosts of the Film Versus Film podcast
- Archive audio commentary by director Alex Proyas
- Archive audio commentary by film critic Roger Ebert
- Archive audio commentary by writers Lem Dobbs and David S. Goyer
- Archive introduction by Alex Proyas
- Return to Dark City, a new hour-long documentary featuring interviews with director Alex Proyas, producer Andrew Mason, production designers Patrick Tatopoulos and George Liddle, costume designer Liz Keough, storyboard artist Peter Pound, director of photography Dariusz Wolski, actor Rufus Sewell, hair & makeup artist Leslie Vanderwalt, and VFX creative director Peter Doyle
- Rats in a Maze, a new visual essay by film scholar Alexandra West
- I’m as Much in the Dark as You Are, a new visual essay by film scholar Josh Nelson on film noir and identity in Dark City
- Design & Storyboards
DISC 2: THEATRICAL CUT
- Archive audio commentary by director Alex Proyas, writers Lem Dobbs, and David S. Goyer, director of photography Dariusz Wolski and production designer Patrick Tatopoulos
- Archive audio commentary by film critic Roger Ebert
- Memories of Shell Beach, a 2008 featurette in which cast and crew look back at the making of the film from concept to reception
- Architecture of Dreams, a 2008 featurette presenting five perspectives on the themes and meanings of the film
- Theatrical trailer
- Image gallery
Although both the UHD and Blu-ray versions are sold out on the Arrow website, other retailers still have them available, and they are undoubtedly worth the search. Arrow typically releases standard editions later, devoid of the added features found in this set, but current information on those releases remains unconfirmed. This edition is a fantastic homage to a 90s science fiction gem that continues to be admired.
Based on reporting by Cesar Zamora. Read the full story at https://www.actionfigureinsider.com/arrow-video-dark-city-limited-edition-4k-uhd-review/